Thrilled to have been a part of composer Benjamin Wallfisch‘s music team on his incredible score for the upcoming adaptation of Stephen King’s IT. Check out this exclusive first listen from Entertainment Weekly.
Pleased to announce that I have been selected as a finalist for the Transatlantyk Film Music Competition in Łódź, Poland. As part of the festival and competition, my original scores from two films will be screened for an audience and an international panel of celebrated composers (past years have included festival founder and Academy-award winning composer Jan A.P. Kaczmarek, John Debney, Christopher Young, John Ottman, Marco Beltrami, Mark Isham, amongst others). The festival’s special guest this year will be actor Edward Norton.
IN PURSUIT OF SILENCE (original motion picture soundtrack) composed by Alex Lu
10 recordings of silent spaces captured from around the world during the making of IN PURSUIT OF SILENCE
28-page e-booklet / production diary including photos and essays related to each recording.
For a limited time download your copy for $10.
In Pursuit of Silence is awarded Best Score at the 2016 Scruffy City Film and Music Festival in Knoxville. The film also takes home Best Sound Design by Steve Bissinger (House of Cards, Transformers, Cloverfield). The soundtrack is now available for pre-order: a double album featuring the original score plus 10 recordings of silent spaces captured around the world during the making of the film.
A glowing review from the Huffington Post of In Pursuit of Silence, with a nod to the composer:
“…even a film about silence has a soundtrack, which if handled poorly could really seem jarring or intrusive. Thankfully, composer Alex Lu’s gentle and understated music provides a graceful counterpoint to the ambient sounds throughout.”
Read the full review here.
Rehearsing a selection from the score for the premiere at SXSW 2016. Featuring musicians: Will Taylor, Charith Premawardhana, Jason Elinoff, Liz Lee, and Alex Lu.
In Pursuit of Silence – a new documentary by Patrick Shen about our relationship with silence, sound, and the impact of noise – premieres at CPH:DOX (Copenhagen International Documentary Film Festival). As an ode to the American maverick-composer, John Cage, who is a prominent figure in the film, the score heavily features my take on the prepared piano. Unique sounds were meticulously crafted by placing objects between and over the piano strings: rubber earplugs, chopsticks, foam brushes, metal wires, sponges, felt, screws, pvc pipes, ebows, guitar slides, wooden dowels, various whachamacallits, and my favorite sound from the project: an electric toothbrush vibrating against the strings! The film is bound to make its journey around the world this coming year, so be on the lookout. An album of the score is also in the works. Stay tuned!
Each summer, the American Society of Composers, Authors, and Publishers (ASCAP) selects 12 composers from over 300 international applicants to participate in a month-long film scoring workshop with Emmy Award winning composer and mentor Richard Bellis. The alumni roster of this workshop include some of the most successful composers working in film and TV today, so I was honored and extremely fortunate to be a part of its 26th year. Over the course of the month, the composers discussed the craft and business of writing music for film, TV, and video games with some of the industry’s leading figures including John Powell (How to Train Your Dragon, The Bourne Trilogy, Shrek), Dave Porter (Breaking Bad), Sean Callery (24, Homeland, Elementary), James S. Levine (Glee, American Horror Story, Nip/Tuck), and Garry Schyman (Bioshock Franchise, Dante’s Inferno), to list just a few! Each composer was assigned to score a scene from a popular film, culminating to a recording session at the historic 20th Century Fox Newman Scoring Stage with the Hollywood Studio Symphony. I was assigned this beautiful scene from “How To Train Your Dragon.” It was truly a career highlight. Thanks, ASCAP!